Public discourse (dialogue, deliberation, media)

In April 2002, Holler to the Hood began a collaboration among traditional Appalachian musicians and hip-hop musicians. The purpose is to bring two traditions together for a unique exchange and artistic exploration of two distinctly rooted traditions...
Last Updated: August 14, 2014
Tear Up the Front Page: Performance and Public Discussion combined statewide listening sessions in Wisconsin with the performance of a new play by Danielle Dresden focusing on media issues and the challenges faced by reporters in our contemporary...
Last Updated: August 14, 2014
The mission of CATAC is:
Last Updated: August 14, 2014
"100 Faces of War Experience: Portraits and Words of Americans Who Served in Iraq and Afghanistan" creates a large survey of the American personal experience of war in Iraq and Afghanistan, using tools of sociology, participant generated content,...
Last Updated: August 14, 2014
In its four-and-a-half year Faith-Based Theater Cycle, Cornerstone Theater Company created original community-based plays in collaboration with faith-based institutions and inter-faith communities. The project explored how faith both unites and...
Last Updated: August 14, 2014
In February 2006, the National Museum of Mexican Art opened the groundbreaking exhibition The African Presence in México: From Yanga to the Present. The exhibition was accompanied by two sister exhibitions – Who Are We Now? Roots, Resistance, and...
Last Updated: August 14, 2014
Hotel Voices is a story of housing and inequity. The Revolutionary Theatre project co-written, co-directed and acted by writers, artists and poets currently living, surviving and sometimes thriving in Single Room Occupancy Hotels aka poor people...
Last Updated: August 14, 2014
Queer Women of Color Media Arts Project (QWOCMAP) promotes the creation, exhibition and distribution of new films/videos that address the vital social justice issues that concern queer women of color and our communities, authentically reflect our...
Last Updated: August 14, 2014
As the Llano Grande Center has worked with people and communities in developing community changemaking skills, we have come to understand and define a digital story as a self-generated, short-length digital production that tells a story of personal...
Last Updated: August 14, 2014
home land security was a community arts performance project in response to September 11th created and directed by Marty Pottenger and commissioned by the Center for Cultural Exchange in Portland, ME. The goal of home land security was to...
Last Updated: August 14, 2014
Since 2006, with the Universal Declaration of Human Rights (UDHR) as its guide, The World As It Could Be Human Rights Education Program (TWAICB), http://www.theworldasitcouldbe.org, has worked in collaboration with community arts and social justice...
Last Updated: August 14, 2014
Common Ground: TOC is a partnership between Littleglobe and three rural New Mexico communities: the Eastern Agency Navajo (Diné) communities of Torreon and Ojo Encino, and the village of Cuba (TOC). The project has brought contemporary and...
Last Updated: August 14, 2014
Urban Bush Women led a series of performance-based dialogues called “Hair Parties” in racially and economically diverse neighborhoods of Brooklyn, New York.
Last Updated: August 14, 2014
Tess Anne Sarbutt uses sculptural installation and video art to examine the loss of children through exceptional circumstances. Losses can manifest differently depending on the circumstances e.g. war, or cultural expectations e.g. gendercide. Her...
Last Updated: August 14, 2014
Prospect New Orleans is the largest biennial of international contemporary art in the United States. Conceived in the tradition of great international biennials that merged city and art, such as the Venice Biennale and the Bienal de São Paulo, the...
Last Updated: August 14, 2014

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